­­­­­Lisa Barnard’s photographic practice is connected to both fine art and documentary genres. She has undertaken numerous photographic commissions and residencies, receives regular funding, and has been published in 8 Magazine and Photoworks. Her work connects her interests in psychological aesthetics, the limits of photographic film alongside the documentation of both the real and the imaginary.

Barnard’s practice has developed to encompass research into more political theories of aesthetics and the possible connections between post-Marxist and Kleinian theories, in relation to the current debates surrounding conceptual documentary photography and the existing political climate.

Her current project, 32 Smiths Square, examines the architecture and ephemera of the former Conservative Party Headquarters in London.

Barnard is a regular visiting lecturer at both Brighton and Newport universities.

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